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Denver Post
by Thomas MacCluskey
Rocky Mountain News Music Critic

Barry Fey did it again - a GREAT rock concert at the Auditorium Arena Thursday night, with the Vanilla Fudge, Spirit and Led Zeppelin in colourful living sound!

And Feyline has nearly solved the sound fidelity problem - even on the main floor - with stationary speakers systems on the floor augmenting the group's systems on the rotating circular stage.

One hitch occurred - tangled cables underneath the bandstand pulled the plug on the Fudge and almost melted their entire performance. When repairs were completed, the clock had punched my deadline. Thus - catch the Fudge review in Saturday's Rocky Mountain News.

Spirit - quintessima strong - MUSICAL!

Everything especially interesting because of a non-ending, high varied rhythmic continuum structured by Ed Cassidy, pile-driven by bassist Mark Andes, girded by conga drummer-vocalist Jay Ferguson and filgreed by pianist John Locke and guitarist Randy California.

A further dimension especially welcome was the group's friendliness to the audience and humour.

The concert was cranked off by another heavy, Led Zeppelin, a British group making its first U.S. tour.

Blues-oriented (although not a blues band) hyped-electric, the full routine in mainstream rock - done powerfully, gutsily, unifiedly, inventively and swingingly (by the end of their set.)

Singer Robert Plant - a cut about the average in style, but no special appeal in sound. Guitarist Jimmy Page, of Yardbirds fame - exceptionally fine. Used a violin bow on the guitar strings in a couple of tunes with resultant interesting, well integrated effects.

Bassist John Paul Jones - solid, involved, contributing. John Bonham - a very, effective group drummer, but uninventive, unsubtle and unclimactic in an uneventful solo.

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This Month in
Led Zeppelin History

July xx, 1969 - The band play many festivals now on their third American tour
July xx, 1970 - Additional recording for Led Zeppelin III at London’s Island Studios
July 16, 1970 - Photographer Chris Welch films Led Zeppelin on his 8mm camera, some clips later used in the Whole Lotta Love promo video
July xx, 1971 - Untitled gets re-mixed in London
July 05, 1971 - A riot erupts mid-concert, forcing Led Zeppelin to stop after about 40 minutes
July xx, 1972 - After repeated bad press, Led Zeppelin hire their first publicity firm
July 20, 1973 - A last minute decision is made to film the remaining part of the tour
July xx, 1973 - Led Zeppelin is filmed over the three nights for their film that will emerge as The Song Remains The Same
July xx, 1974 - After viewing their 1973 filmed performance, it is apparent critical errors were made
July xx, 1974 - Mixing for Physical Graffiti at Olympic Studios
July 05, 1975 - The band meet in Montreux to discuss adding South America and Japan to the end of their North American tour
July xx, 1976 - Bonham and Page fly to Montreux, Switzerland to check out some new sound and drum effects
July 17, 1977 - The last ever performance of Moby Dick played at the Seattle Kingdome
July 24, 1977 - The band plays its last US date at the Oakland Coliseum
July xx, 1978 - Led Zeppelin are invited to perform at Maggie Bell’s Festival Hall show
July xx, 1979 - Led Zeppelin film their rehearsal at Bray Studios
July 04, 1979 - Led Zeppelin confirm a second date at Knebworth in August 1979
July 05, 1980 - Simon Kirke joins in on drums for an encore in Munich
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