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1960 Gibson Les Paul Custom 'Black Beauty'

1960 Les Paul Custom 'Black Beauty'
Jimmy Page performing Bring It On Home,
Royal Albert Hall, London, England,
January 9, 1970. Photo: Warner Strategic Marketing
General Specs
Body: Carved mahogany top, sides and back
Finish: Ebony
Neck: One-piece mahogany neck
Fingerboard: Ebony with pearl block inlays
Frets: 22
Bridge: ABR-1 Tunematic Guitar Bridge / Bigsby B7 Tremolo
Headstock: 'Gibson' logo and split diamond pearl inlay, 'Les Paul Custom' on truss rod cover
Tuners: Grover Roto-matic
Hardware: Gold-plated
Pickguard: Multi-Ply Black
Pickups: (3) PAF Humbuckers
Controls: (2) Volume, (2), 3-way selector, (3) toggle switches were added in mid-March 1970
Years in use: 1962-1970
Website: http://www.gibson.com/
The Les Paul Custom was first introduced in 1954 and was the deluxe version of the Les Paul regular. It is also known as the 'Fretless Wonder' and of course as the 'Black Beauty'. The 'Fretless Wonder' name came about because of the advertising which stated that the frets where low and smooth and give the guitar fast playing action. So it didn't mean that it had no frets. This guitar has a bit of history to it which is pretty interesting. In 1961 (4 years after this reissue model) the single cut-away LP body was actually replaced with the SG double cut-away ultra-thin body. In 1963 it appears that Gibson and Les himself had a disagreement which was temporary. It resulted in this double cut-away model being renamed the Gibson SG Custom. So there are some variations in this guitar which would normally go unnoticed because of the two distinctly different body shapes being used.

The '52 version had an LP body shape (single cut-away) and was made of mahogany with carved arched top. There was a 7-ply binding around the top and body edges. The bridge was a Tune-O-Matic with stud tail piece. There were other models that included the Bigsby tremolo (some nickel plated). The LP regular had a carved maple top while this version had an all mahogany body.

The 24.7 5 inch scale length neck was made of a single piece of mahogany with an ebony fretboard. The fretboard had 'block' (rectangular) pearl inlays as position markers and 22 frets. The neck joined the body at the 16 fret. On the headstock was a split diamond inlay that slightly larger than usual. The words '' Les Paul Custom' was inscribed in the bell shaped truss rod cover. The original tuners used where Kluson Super tuners which were replaced with Grover Roto-matics in 1958. The hardware was gold plated with a few excepts where nickel plated were used. One thing about the '52 version is it used two single coil pickups, an Alnico in the neck position and a P-90 at the bridge. Both had black covers with the Alnico pickup having famous rectangular pole pieces while the P90 had the adjustable pole pieces. There were a few guitars made with three P-90 pickups in place of the humbuckers. The wiring on this three pickup model is also different in that it had three volume controls with a single tone control. The tone control was placed where the toggle switch normally was located (this version didn't have a toggle switch). Another thing about the 52 version was that it didn't have a serial number. They weren't added until 1954 and where found on the top edge of the headstock.

The Black Beauty offers a variety of tones not found on other LPs. This was done by adding a third humbuckers. In 1957 one of the main changes was the introduction of the PAF humbucker pickup. Three of these were put on the LP Custom with most pickups be wired differently than other LPs of the time. Instead of having the middle position of the 3-way pickup selector activating the center pickup it actually had both the bridge and middle pickups on with the middle pickup out of phase with the neck pickup. The result is a unique yet vintage sound. There are some that have only two humbuckers while there are also others that have the three humbuckers but with different wiring and control setup. It had three volume controls that were lined up in a straight line with a tone control located where the toggle switch was located.

In 1961 the body of the custom was changed to the ultra-thin SG double cut-away body and was painted white. This marked a significant change so much so that in 1963 they changed the name to the SG/Les Paul Custom. Also there is a non-historic version of the Black Beauty which called the Les Paul Custom.

The 1960 Gibson Les Paul Custom 'Black Beauty' was purchased new in 1962 for £185. It was used for most of Jimmy's sessionwork (1963-1966), and was taken on tour, starting on January 7, 1970 at Birmingham, England's Town Hall through Apr. 1970, when it was stolen at the airport between Apr. 13 or 14, 1970. Jimmy Page placed an ad in Rolling Stone with reward, but it was never recovered.

I put on the Bigsby tremolo. Also, what I did, is, the Black Beauty originally had a single toggle switch. I took out the single switch and put in three on/off switches. You could have any combination of pickups on or off, even all pickups off!" (laugh) Yeah, Jimmy really liked that setup. - Joe Jammer

Then I got a Les Paul Custom which I stayed with until it was nicked in the States during the first 18 months of Zeppelin-the second or third tour. Usually I never took that on the road, because it was so precious. But things were going so well for us that I eventually took it over and it suddenly went.

It had a big tremlo arm and Joe Jammer custom wired it for me. I was starting to use it more than anything else. It got nicked off the truck at the airport-we were on our way to Canada. Somewhere there was a flight change and it disappeared. It just never arrived at the other end. I advertised for it in Rolling Stone. Just a photograph-no name-and a reward. No luck though, even though it was very recognizable for all the custom work that Joe Jammer done on it.
- Jimmy Page, CREEM Magazine, Winter 1980

Photos:

1960 Gibson Les Paul Custom 'Black Beauty'
 
1960 Gibson Les Paul Custom 'Black Beauty'
 
1960 Gibson Les Paul Custom 'Black Beauty'
Jimmy Page, January 9, 1970, Royal Albert Hall, City Of Westminster, London, England
1960 Gibson Les Paul Custom 'Black Beauty'
Jimmy Page, January 9, 1970, Royal Albert Hall, City Of Westminster, London, England
1960 Gibson Les Paul Custom 'Black Beauty'
Jimmy Page, April 10, 1970, Backstage ant the Miami Beach Convention Center, Miami Beach, Florida
 
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October xx, 1970 - The press lash out at the band over the Led Zeppelin III acoustic content
October xx, 1971 - Page and Plant venture around Thailand and India after the Japan tour
October 18, 1972 - Zeppelin rehearse at the Rainbow Theater for a UK tour
October xx, 1973 - Each member performs an individual film sequence for their concept film
October 31, 1974 - Swan Song hosts a party for the launch of its UK division
October xx, 1975 - Led Zeppelin decide not to tour and concentrate on recording new material
October 20, 1976 - The Song Remains The Same premieres at New York’s Cinema One
October xx, 1977 - Jimmy starts assembling a Led Zeppelin live album from recordings as far back as 1969
October xx, 1978 - Jones and Bonham record with Paul McCartney at Abbey Road Studios
October xx, 1978 - Rehearsals for In Through The Out Door in London
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October 10, 1980 - A private funeral is held for John Bonham at Rushock church in Worcestershire
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