The '52 version had an LP body shape (single cut-away) and was made of mahogany with carved arched top. There was a 7-ply binding around the top and body edges. The bridge was a Tune-O-Matic with stud tail piece. There were other models that included the Bigsby tremolo (some nickel plated). The LP regular had a carved maple top while this version had an all mahogany body.
The 24.7 5 inch scale length neck was made of a single piece of mahogany with an ebony fretboard. The fretboard had 'block' (rectangular) pearl inlays as position markers and 22 frets. The neck joined the body at the 16 fret. On the headstock was a split diamond inlay that slightly larger than usual. The words '' Les Paul Custom' was inscribed in the bell shaped truss rod cover. The original tuners used where Kluson Super tuners which were replaced with Grover Roto-matics in 1958. The hardware was gold plated with a few excepts where nickel plated were used. One thing about the '52 version is it used two single coil pickups, an Alnico in the neck position and a P-90 at the bridge. Both had black covers with the Alnico pickup having famous rectangular pole pieces while the P90 had the adjustable pole pieces. There were a few guitars made with three P-90 pickups in place of the humbuckers. The wiring on this three pickup model is also different in that it had three volume controls with a single tone control. The tone control was placed where the toggle switch normally was located (this version didn't have a toggle switch). Another thing about the 52 version was that it didn't have a serial number. They weren't added until 1954 and where found on the top edge of the headstock.
The Black Beauty offers a variety of tones not found on other LPs. This was done by adding a third humbuckers. In 1957 one of the main changes was the introduction of the PAF humbucker pickup. Three of these were put on the LP Custom with most pickups be wired differently than other LPs of the time. Instead of having the middle position of the 3-way pickup selector activating the center pickup it actually had both the bridge and middle pickups on with the middle pickup out of phase with the neck pickup. The result is a unique yet vintage sound. There are some that have only two humbuckers while there are also others that have the three humbuckers but with different wiring and control setup. It had three volume controls that were lined up in a straight line with a tone control located where the toggle switch was located.
In 1961 the body of the custom was changed to the ultra-thin SG double cut-away body and was painted white. This marked a significant change so much so that in 1963 they changed the name to the SG/Les Paul Custom. Also there is a non-historic version of the Black Beauty which called the Les Paul Custom.
The 1960 Gibson Les Paul Custom 'Black Beauty' was purchased new in 1962 for £185. It was used for most of Jimmy's sessionwork (1963-1966), and was taken on tour, starting on January 7, 1970 at Birmingham, England's Town Hall through Apr. 1970, when it was stolen at the airport between Apr. 13 or 14, 1970. Jimmy Page placed an ad in Rolling Stone with reward, but it was never recovered.
I put on the Bigsby tremolo. Also, what I did, is, the Black Beauty originally had a single toggle switch. I took out the single switch and put in three on/off switches. You could have any combination of pickups on or off, even all pickups off!" (laugh) Yeah, Jimmy really liked that setup. - Joe Jammer
Then I got a Les Paul Custom which I stayed with until it was nicked in the States during the first 18 months of Zeppelin-the second or third tour. Usually I never took that on the road, because it was so precious. But things were going so well for us that I eventually took it over and it suddenly went.
It had a big tremlo arm and Joe Jammer custom wired it for me. I was starting to use it more than anything else. It got nicked off the truck at the airport-we were on our way to Canada. Somewhere there was a flight change and it disappeared. It just never arrived at the other end. I advertised for it in Rolling Stone. Just a photograph-no name-and a reward. No luck though, even though it was very recognizable for all the custom work that Joe Jammer done on it. - Jimmy Page, CREEM Magazine, Winter 1980
Resources and Information:http://www.kellyindustries.com/guitars/gibson_lp_custom_black_beauty.html
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