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Guitar Player, June 1969

By Bob Kennedy

From the time Jimmy Page launched Led Zeppelin, it did what most groups dream of doing: it floated right to the top, first in England and now in the U.S. We caught Jimmy Page at the high temple of rock, the Fillmore in San Francisco, where he was making one of his first U.S. appearances. Although the Led Zeppelin had only been together two months, they were jamming as if they had been doing it for years.

Jimmy, who plays lead guitar for Led Zeppelin, worked two years with the much-lauded Yardbirds. At that time he became good friends with another Yardbirds veteran, Eric Clapton. "Eric and I did a lot of stuff at my house," he recalls. "We used to just get the tape recorder working and start playing. A lot of the tapes we did together came out in the media. However, at the time I was recording with Eric, he was under contract and so his company took possession of the recordings. It's interesting to see the progress Eric has made since then."

Jimmy started on the guitar about eight years ago: "I have always wanted to be an electric guitarist. I even started a paper route to get my first instrument because I didn't have any money. Well, I got one, and then I just started exchanging and getting better ones. I think the second one I had was a Fender Stratocaster, and that was the first good guitar I ever had. Then I got a Gretsch, and then a Les Paul with three pickups. The reason I don't use the Les Paul now is because I didn't feel that particular model was good for blues. It's called the 'Fretless Wonder' and the frets are filed real fine, but it just doesn't happen for the blues."

Jimmy says the best match he's found has been a Gibson guitar through a Marshall amp: "You get a Marshall with a Gibson and it's fantastic, a perfect match. I'm using Ernie Ball super slinky strings, although I usually sort of swap around gauges. You know, they have these custom-gauge things, and I usually have it a bit heavier around the third and sometimes a bit lighter. It depends on what sort of mood I'm in."

Once in a while when jamming, Jimmy will sit down behind a steel guitar. "We wanted to use a steel guitar in Led Zeppelin," he explains. "I have used one for about a month. It's frustrating to play it though. You hear those country guys, and they can play it so damn well. It's such a complicated instrument for someone who doesn't have that sort of line to begin with, and it's a struggle for me to play. We used it on our album a couple of times, but nothing really complicated. When I play, I try to do a bit of everything. I don't know if that's good. I guess it can be annoying." One of Jimmy's most dynamic sounds occurs when he draws a violin bow across the strings.

"Led Zeppelin's music never duplicates itself," he insists. "We might use the same pattern, but it's always changing. By now a tune may be entirely different from when we first started. The only thing which will remain the same is the first couple of verses. Although we've got cues when we cut in, the idea is to get as much spontaneity as possible. But to get yourself out of trouble, you've got certain keys you can use to come in. Otherwise it can be chaotic. Usually we just start the song off and then go in different tangents, change it four or five times, and then come back to the original song."

Jimmy wouldn't call what they do during rehearsal a practice. "We jam," he says. "Once we've got a number, everything is happy, but getting there is another thing. That is why it is so easy using an old blues number. You know it, and then you go on from there. I think most groups must have the same trouble.

"How original our work is depends upon how you want to classify it. You might say it's 80% original if you want to exclude the words. In fact, it would be 90% original, because our numbers would be ten or fifteen minutes whereas the original number would only be three minutes long. So basically we are making it up all the time."

Jimmy is establishing himself as one of the top rock guitarists. How high he goes is only limited by his creativity and ability to expand his technique.
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September 07, 1968 - The band fulfills some old Yardbirds dates in Scandanavia
September xx, 1969 - Jimmy Page is reported saying the second album will be harder than the first
September 19, 1970 - Led Zeppelin gross over $100,000 for two performances at Madison Square Gardens on the same day
September xx, 1971 - Jimmy Page is furious over a live Yardbirds release. It was forced off the shelves
September xx, 1971 - The band vacations in Hawaii
September xx, 1972 - Discussions to play various countries ends with a decision to play Japan again
September xx, 1973 - Jimmy Page considers a live release of material before releasing a new album
September 14, 1974 - Led Zeppelin and CSN&Y jam at an after party
September xx, 1975 - Jimmy meets up with Robert in Malibu, where he is staying on a tax exile
September 12, 1976 - Page and Bonham return to Switzerland and record a drum piece title Bonzo’s Montreux
September 08, 1977 - Page takes to the stage with other well knowns at a WEA records sales conference
September 15, 1978 - Zep road manager Richard Cole and Bad Company’s Simon Kirke get married in a double ceremony
September 17, 1979 - Promoter Fred Bannister forced into liquidation over Knebworth Sales with Led Zeppelin
September 18, 1980 - Jimmy reviews a new stage set up and technical details for the Eighties Part One tour at Swan Song offices
September 25, 1980 - John Bonham is found dead in Jimmy Page’s Windsor mansion by sound technician Benji Le Fevre
September 12, 2007 - It was announced at a press conference by Harvey Goldsmith that the remaining members of Led Zeppelin would reunite with Jason Bonham on drums.
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