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Guitar Player, June 1969

By Bob Kennedy

From the time Jimmy Page launched Led Zeppelin, it did what most groups dream of doing: it floated right to the top, first in England and now in the U.S. We caught Jimmy Page at the high temple of rock, the Fillmore in San Francisco, where he was making one of his first U.S. appearances. Although the Led Zeppelin had only been together two months, they were jamming as if they had been doing it for years.

Jimmy, who plays lead guitar for Led Zeppelin, worked two years with the much-lauded Yardbirds. At that time he became good friends with another Yardbirds veteran, Eric Clapton. "Eric and I did a lot of stuff at my house," he recalls. "We used to just get the tape recorder working and start playing. A lot of the tapes we did together came out in the media. However, at the time I was recording with Eric, he was under contract and so his company took possession of the recordings. It's interesting to see the progress Eric has made since then."

Jimmy started on the guitar about eight years ago: "I have always wanted to be an electric guitarist. I even started a paper route to get my first instrument because I didn't have any money. Well, I got one, and then I just started exchanging and getting better ones. I think the second one I had was a Fender Stratocaster, and that was the first good guitar I ever had. Then I got a Gretsch, and then a Les Paul with three pickups. The reason I don't use the Les Paul now is because I didn't feel that particular model was good for blues. It's called the 'Fretless Wonder' and the frets are filed real fine, but it just doesn't happen for the blues."

Jimmy says the best match he's found has been a Gibson guitar through a Marshall amp: "You get a Marshall with a Gibson and it's fantastic, a perfect match. I'm using Ernie Ball super slinky strings, although I usually sort of swap around gauges. You know, they have these custom-gauge things, and I usually have it a bit heavier around the third and sometimes a bit lighter. It depends on what sort of mood I'm in."

Once in a while when jamming, Jimmy will sit down behind a steel guitar. "We wanted to use a steel guitar in Led Zeppelin," he explains. "I have used one for about a month. It's frustrating to play it though. You hear those country guys, and they can play it so damn well. It's such a complicated instrument for someone who doesn't have that sort of line to begin with, and it's a struggle for me to play. We used it on our album a couple of times, but nothing really complicated. When I play, I try to do a bit of everything. I don't know if that's good. I guess it can be annoying." One of Jimmy's most dynamic sounds occurs when he draws a violin bow across the strings.

"Led Zeppelin's music never duplicates itself," he insists. "We might use the same pattern, but it's always changing. By now a tune may be entirely different from when we first started. The only thing which will remain the same is the first couple of verses. Although we've got cues when we cut in, the idea is to get as much spontaneity as possible. But to get yourself out of trouble, you've got certain keys you can use to come in. Otherwise it can be chaotic. Usually we just start the song off and then go in different tangents, change it four or five times, and then come back to the original song."

Jimmy wouldn't call what they do during rehearsal a practice. "We jam," he says. "Once we've got a number, everything is happy, but getting there is another thing. That is why it is so easy using an old blues number. You know it, and then you go on from there. I think most groups must have the same trouble.

"How original our work is depends upon how you want to classify it. You might say it's 80% original if you want to exclude the words. In fact, it would be 90% original, because our numbers would be ten or fifteen minutes whereas the original number would only be three minutes long. So basically we are making it up all the time."

Jimmy is establishing himself as one of the top rock guitarists. How high he goes is only limited by his creativity and ability to expand his technique.
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Led Zeppelin History


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November 21, 1968 - Robert becomes a father to a baby girl named Carmen Jane.
November 09, 1968 - Robert marries Maureen in London. Their reception is a performance at the Roundhouse in London
November xx, 1969 - Tempers flare over Atlantic in the UK wanting to release singles
November xx, 1969 - Recording for Led Zeppelin III begins at Olympic Studios in London
November xx, 1970 - Plans are in motion for a Yardbirds reunion
November 08, 1971 - Finally after much anticipation, Untitled is released
November xx, 1972 - Houses Of The Holy is mixed and completed
November 10, 1972 - Led Zeppelin sell out 120,000 tickets in one day
November xx, 1973 - Initial recordings for Physical Graffiti commences at Headley Grange
November 04, 1973 - Led Zeppelin finalize the purchase of Headley Grange to be their new corporate headquarters
November xx, 1974 - The band makes plans and rehearses for the tenth North American tour
November xx, 1975 - Led Zeppelin records Presence in a mere 18 days
November xx, 1976 - Led Zeppelin book into Ezyhire Studios to rehearse new material for an upcoming tour
November 04, 1976 - The Song Remains The Same movie premieres in Europe
November xx, 1977 - Jimmy dispells rumors of Led Zeppelin’s break up
November 06, 1978 - Led Zeppelin purchase and ship new gear to Polar Studios to begin work on a new album
November 10, 1979 - Led Zeppelin and their entire entourage attend an ABBA concert
November 07, 1980 - The band meets with Peter Grant to announce the retirement of Led Zeppelin
November 29, 1999 - The RIAA announced that Led Zeppelin were only the third act in music history to achieve four or more Diamond albums, a Diamond album being awarded for accredited sales of more than 10 million units in the US.
November 01, 2007 - An announcement was made that Jimmy Page had fractured his finger on his left hand after a fall in his garden and the reunion show would be postponed to December 10, 2007.
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