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Led Zeppelin on HBO's "Vinyl"



Vinyl, an American period drama television series on HBO premiered on February 14, 2016. It featured character Richie Finestra, a 1970s record executive in the fictional American Century record label.

Finestra had planned on signing Led Zeppelin and then selling the entire label. There is a scene that takes place backstage at Madison Square Garden, at a Led Zeppelin concert. Lead singer Robert Plant talks with Finestra that American Century was cutting their percentage of earnings. Drummer John Bonham floats in and out of the scene, as does a flock of groupies.

Possibly the most noteworthy character in the scene is manager Peter Grant arguing with someone, almost word-for-word as the actual Grant did in the Led Zeppelin film The Song Remains The Same.

Viewers of Vinyl have given both praise and distaste towards the Zeppelin scene, with everything from semi-accurate look of the actors to the songs that the band performed later in the scene. (Neither Somethin' Else nor You Shook Me were actually performed in 1973!)

Overall, the premiere episode did not fare so well, getting a 0.2 rating,with 764,000 viewers.

What do you think? View the Zeppelin scene at https://www.youtube.com/watch?v=fdAwCLkpgUc.


Jimmy Page at the MPG Awards 2016

Jimmy Page also made a surprise appearance at the awards ceremony (on February 4), presenting John Davis with his award for Mastering Engineer of the Year, thanks to his work with Royal Blood, Lana Del Rey and The Prodigy. Page and Davis met during the mastering of Led Zeppelin’s Mothership, and have worked together several times since.

Full article at: SoundOnSound






Led Zeppelin Stumbles in ‘Stairway’ Lawsuit



Group is accused of infringing on Spirit song "Taurus"

Led Zeppelin has hit a bum note in the lawsuit over its mega-hit "Stairway to Heaven."

The group has lost a bid to obtain further information in a copyright infringement lawsuit claiming that "Stairway" infringes on the Spirit song "Taurus."

Attorneys for the band had sought information on the Randy Craig Wolfe trust, of which plaintiff Michael Skidmore serves as trustee. (Randy Craig Wolfe was the given name of Randy California, a founding member of Spirit and author of "Taurus." Wolfe died in 1997.)

Team Zep had claimed that the Wolfe trust is only valid if it is a qualified charitable foundation or other qualified entity, and claims that Skidmore’s legal team hasn’t provided evidence to that effect. Zeppelin’s lawyers asked Skidmore’s team to provide proof, such as Internal Revenue Service notices or correspondence.

Read the full story at: The Wrap

Robbie Williams continues building work on house after bitter battle with Jimmy Page

The singer had been accused of work being carried out on the property without the correct consent



Robbie Williams looks to be continuing work on his West London home following a long, bitter battle with Jimmy Page.

The former Take That singer has been faced with a lot of stumbling blocks as he sought to revamp the property, but now work appears to be finally underway again.

Pictures outside the 46-bedroom, £17.5 million property - which formerly belonged to Michael Winner - show scaffolding outside the house as building work continues.

Read the full story plus photos at The Mirror

[Robert Plant] Bert Inspired: a Concert for Bert Jansch review - fond renditions and a lot of guitar tuning

Old Fruitmarket, Glasgow
Graham Coxon, Bernard Butler and Robert Plant join a diverse, stellar lineup and pay handsome tribute to the guitar hero

Jazz-folk veterans, Britpop pin-ups, classic rock icons, up-and-coming singer-songwriters – how many other musicians except Bert Jansch sit at such a spaghetti junction of influence? A stellar lineup assembles to remember the late Pentangle founder member and finger-picking guitar hero in his city of birth at the first of two Celtic Connections curtain-closing concerts in his honour. An evening of fond renditions and recollections, and a lot of guitar tuning.

Graham Coxon had written beforehand of how nervous he was on meeting Jansch. The Blur guitarist looks twitchy here, too, as he performs an affectionate One for Jo and a "Bert-imbued" solo composition Latte, but returns later, much more at ease, for a tricksy twang on Angie together with Martin Simpson. Elsewhere before the interval we get songs from Jansch's former fellow Pentanglers Jacqui McShee and Mike Piggott, and Jansch's one-time mentor Archie Fisher doing Down by Blackwaterside – Jansch's arrangement that he once famously accused Led Zeppelin of ripping off with Black Mountain Side.

Not one to bear a grudge, Robert Plant lends superstar magnetism to proceedings, backed by his superb five-piece band the Sensational Space Shifters. The opening notes of a whispered Babe I'm Gonna Leave You are met with an almost disbelieving collective intake of breath; his second set will end with an entrancingly amped-up Poison.

Plant's is the heavyweight contribution, but the lighter touches shine brightest, such as Bernard Butler and Ben Watt's shimmering electric guitar interplay on an opiated Soho. Scottish folk singer Karine Polwart jokes that she's here for "equalities" reasons, but her mellifluous reading of Tree Song feels anything but tokenistic. The largely unknown young American troubadour Ryley Walker will be widely Googled for his fearlessly breezy run at I Am Lonely.

The full ensemble gathers at the end and, after a twangy cacophony of imperfect tuning, conclude with a wondrously wonky Dixieland jazz-dappled Strolling Down the Highway that doesn't so much stroll as sway.

From: The Guardian

Robert Plant Setlist:
Set 1
Go Your Way My Love
Babe I'm Gonna Leave You
Satan Your Kingdom Must Come Down / In My Time of Dying

Set 2
Win My Train Fare Home
The Cuckoo
Poison

Finale
Strolling Down The Highway








[WATCH]Led Zeppelin's Robert Plant shows support for Wolverhampton Youth Zone

Robert Plant
Rock legend Robert Plant has appeared in a new video lauding Wolverhampton's £6 million Youth Zone as an opportunity for 'furthering the adventure of life'.

The West Bromwich-born singer and former Led Zeppelin frontman is one of several famous names to support The Way, which opened earlier this month.

Bosses have uploaded the video - which sees Plant apparently in a pub discussing the project - to YouTube. The two-minute clip also features footage of young people using the centre's facilities.

Plant, says: "I've been a life-time member of the Black Country community and I'm supporting the Wolverhampton Youth Zone. I think it's a very welcome and crucial addition to the life of kids in our area."

"I've been recently around the facility and it is all looking great. There are opportunities kids have got to come in from whatever lifestyle they have been living and actually spend a period of time in a whole new environment which is very optimistic, very get-up-and-go, very dynamic. I heartily support it."



Earlier this month youngsters and parents were given the first glimpse inside the one-stop, all-inclusive activity centre, featuring a 4G football pitch, boxing ring, dance studio, gym and sports hall. Wolverhampton council is investing more than £3m in The Way towards both the development and running costs of the project.

Other supporters include One Direction superstar Liam Payne, City of Wolverhampton College, Marston's and Carvers.

Within a week of opening The Way had signed up over 1,000 members.

From: Express & Star

[NAMM] Supro resurrects the Black Magick



Supro recreates one of the most legendary amp models in the history of rock&roll: the Black Magick.

This all-tube, high-gain blues machine harkens back to the dimensions, cosmetics and circuitry of the Supro amps from 1959 - just like the one loaned by Jimmy Page to the Rock and Roll Hall of Fame Museum. In tribute to this legendary and extensively modified Supro combo, Supro based this new version on the actual cabinet dimensions from a '59 Supro 2x10, replacing the baffle with a 1x12, and arming this 25-watt combo with a custom, British voiced speaker specially developed for the Black Magick amp.

The preamp found in the Black Magick features two channels wired in parallel, with independent volume controls and a single, shared tone control. The vintage-correct front-end topology of the original 1959 Supro combos has been streamlined in the Black Magick, with automatic linking of channels 1&2 when using only the first input jack. This flexible arrangement provides double the gain when used with one instrument and also allows for two instruments to share the same Black Magick or for the use of an A/B/Y box to achieve channel-switching on the fly.

With more gain on tap than any other Supro reissue, the Black Magick is said to shine especially in heavy blues and classic rock guitar styles. This amp's traditional, cathode-biased "Class-A" power section uses a pair of 6973 tubes to achieve the instantly recognizable midrange grind and phenomenal touch dynamics that define the Supro sound. A complete range of tones from warm cleans to heavy distortion can be accessed by simply adjusting the volume knob on your instrument, while the signature Supro power tube tremolo adds footswitchable depth and dimension.

Features list:

Vintage Supro Cosmetics and Circuitry
Two channels with Parallel Link and shared tone control
Output Tube Tremolo with footswitch jack
25 Watts Cathode-Bias "Class-A" Power Amp
1×12 Custom Voiced Supro BD12 speaker
2×6973 power tubes
Gold Faceplate
Black Rhino Hide Tolex
Assembled in NY, USA


Pre-orders are being taken now at a price of $1,499 for a March, 2016 delivery.


More details to come at Supro's website.


Celtic Connections: Robert Plant leads Bert Jansch tribute concert



Celtic Connections reaches a crescendo at the end of the month with a spectacular array of talent coming together to honour the late Glaswegian guitarist, singer and songwriter Bert Jansch.

Former Led Zeppelin frontman and bona fide rock god Robert Plant pays tribute to his "enormous and longstanding" musical debt to the Scottish folk player by performing alongside an eclectic line-up.

Bert Inspired: A Concert for Bert Jansch takes place on 31st January at the Old Fruitmarket. A second date at the Royal Concert Hall on 1st February was added by the Celtic Connections festival due to the enormous demand for tickets.

Other performers will include Pentangle's Jacqui McShee, Ben Watt, Ryley Walker, Archie Fisher (Sunday only) and Martin Simpson.

Suede guitarist and indie stalwart Bernard Butler will also play at the concert alongside Graham Coxon, founding member of Blur. Both were influenced by Jansch who emerged from the British folk revival of the 1960s to form the band Pentangle which toured extensively between 1967 and 1972. Jansch was born in Glasgow before moving to Edinburgh, busking in Europe and settling in London to hone his improvised guitar playing style. In 2001 Jansch received a lifetime achievement award at the BBC Radio 2 Folk Awards. He died in 2011.

The shows are in aid of the Bert Jansch Foundation, which works to support emerging acoustic musicians.

From: The Glasgowist

John Paul Jones onstage with Wilco, Jan 16, 2016

John Paul Jones was on stage last night (Jan 16) with Jeff Tweedy and Wilco, at the Todos Santos Music Festival, in Todos Santos, BCS, Mexico.

John played mandolin, bass guitar and keyboards on his mini three-song set, which included the Tweedy song World Away, a cover of the 1969 Neil Young song The Losing End (When You're On), and the Wilco song Airline to Heaven.

Proceeds from the festival benefit the Palapa Society of Todos Society A.C.











Wilco (kinda) and JPJ covering "Airline to Heaven" - just one of many magical moments from Week 1.

Posted by Todos Santos Music Festival on Sunday, January 17, 2016

Fire at house formerly owned by guitarist Jimmy Page 'not suspicious'



A fire which destroyed a mansion formerly owned by Led Zeppelin guitarist Jimmy Page and occultist Aleister Crowley was not started intentionally, investigators say.

The blaze broke out at Boleskine House on the eastern bank of Loch Ness at around 1.40pm on December 23.

Around 60% of the B-listed mansion was destroyed in the fire, which took hours to bring under control.

Investigators are confident the fire was not suspicious but have been unable to establish its cause.

Crowley, who became infamous for his books on the occult, lived at Boleskine House between 1899 and 1913.

Former Led Zeppelin guitarist and Crowley memorabilia-collector Jimmy Page bought Boleskine House in 1970 but spent less than six weeks there before selling the mansion in 1992.

It has since been used as a private residence and a guest house and was put up for sale in 2009 for £176,000.

From: STV News

Did you go to Led Zeppelin's historic Boat Club gig?



The night Led Zeppelin played a free gig at the Boat Club is part of Nottingham rock and pop history.

It was more than 40 years ago but now a film maker is hoping to find Nottinghamshire people who remember that show.

As part of a major BBC project called People's History of Pop, producer Rob Whitehouse is making a short film for the East Midlands magazine programme Inside Out focusing on fans' memories in the East Midlands.

And he is particularly interested in hearing from anyone who was at the Led Zeppelin gig.

He said: "It would be wonderful if I could find someone who took photographs, even better if anyone had some film or a sound recording of that night.

"Unfortunately, there were no mobile phones back then but you never know."

Rob will be filming an interview with Boat Club president Keith Atkinson, who first booked Led Zeppelin to appear on Trentside in 1969 before they achieved worldwide fame - for the princely fee of £80.

The free Led Zeppelin gig of 1971 is still regarded by many as Nottingham's finest rock hour.

Led Zeppelin became the biggest stadium band in the world, breaking attendance records in America held by the Beatles.

Yet, in March 1971, they returned to the Boat Club for an extraordinary gig.

Keith, speaking about a night he will never forget, said: "They played for free that time. They wanted to put something back to the venues that had set them on the road to success."

He said the queue of fans hoping to get a ticket snaked back across Trent Bridge, adding: "Ironically, although we were raking in the cash at the time, we hardly made anything that night because it was so rammed that people couldn't get to the bar because no-one could move."

There were other high-profile visitors to Trentside, including Rod Stewart, Elton John, Jethro Tull, Deep Purple, Motorhead – led by the legendary Lemmy who died this month – and Ozzie Osborne with Black Sabbath.

Rob is hoping to hear from anyone who was at these gigs, especially if they have memorabilia from the time.

His film is part of a nationwide project in which the BBC is crowd sourcing photographs and audio/video of fans' cherished music memorabilia – ticket stubs, diary entries, teen band recordings, wrist bands, rare footage and more – to tell the story of British rock and pop music from the 1950s to the noughties.

A BBC spokesman said: "Whether you were into skiffle, punk, hip hop or anything in between, we want to see your stuff and hear your stories.

"What was the first record you bought? Do you still have the ticket stub to your all-time favourite gig? Were you in a teen band and do you still have the recordings?

"If you've been inspired by British sounds and you still have the memorabilia in your attic, under your bed or in the recesses of your computer, dig it out and go to www.phop.co.uk to take part.

"All you need to do is join up by creating a profile with our partners, History Pin, and follow the links to share your stuff. If you have an object, just take a photo of it and upload that. If you have audio or video, you can embed that too.

"Everything sent in to People's History of Pop will be part of an incredible online archive and will culminate with a television series for BBC Four, featuring the best of what's been uploaded to the site."

To contact Rob, email him at This email address is being protected from spambots. You need JavaScript enabled to view it.

Read more: http://www.nottinghampost.com/BBC-search-fans-attended-Led-Zeppelin-s-historic/story-28522398-detail/story.html

Led Zeppelin Accused of ‘Pure Fishing Expedition’ in ‘Stairway to Heaven’ Lawsuit



Attorneys for group blasted for requesting "irrelevant" documentation in copyright dispute

As any Led Zeppelin fan knows, the group has long been associated with one legendarily impure fishing expedition. And now they're being accused of engaging in a pure one.

In the latest turn in the "Stairway to Heaven" copyright saga, the group was accused of undertaking a "pure fishing expedition" in legal papers filed Tuesday.

In the filing, attorneys for plaintiff Michael Skidmore - trustee for the Randy Craig Wolfe Trust which, according to the papers, owns Wolfe's copyrights - blast Team Zeppelin for questioning the validity of the trust.

"There is no evidence to cast even the slightest bit of shade on the validity of the Trust, nor have Defendants argued that there is any real reason to doubt the validity of the Trust," the papers read. "This is a pure fishing expedition."

Skidmore brought the suit, claiming that Zeppelin's rock classic "Stairway to Heaven" infringes on the song "Taurus" by the group Spirit, of which Wolfe (nom de rock: Randy California) was an original member. Wolfe died in 1997.

Led Zeppelin's camp contends that the Wolfe trust is only valid if it is a qualified charitable foundation or other qualified entity, and claims that Skidmore's legal team hasn't provided evidence to that effect. Zeppelin's lawyers are asking Skidmore's team to provide proof, such as "all Internal Revenue Service notices or correspondence qualifying the Randy Craig Wolfe Trust as a charitable foundation or other qualified entity."

The plaintiff's side contends that it has already provided all the proof that's necessary, and that the Zeppelin team's request for further documentation is "overly broad, vague, irrelevant, not calculated to lead to the discovery of relevant evidence, and unduly burdensome."

They also say that nobody has ever questioned the validity of the trust, and "because Defendants are not the beneficiaries of the Trust they have no legal authority or standing to challenge the validity of the Trust."

According to the filing, Skidmore claims that the trust's receipts "are used to donate musical instruments for schoolchildren in Ventura County."

From: The Wrap

That one time David Bowie got stoned with John Paul Jones

Jones/Bowie

(from September 1976 Playboy)

PLAYBOY: Do you remember the first time you got stoned?

BOWIE: On grass? I'd done a lot of pills ever since I was a kid. Thirteen or fourteen. But the first time I got stoned on grass was with John Paul Jones of Led Zeppelin many, many years ago, when he was still a bass player on Herman's Hermits records. We'd been talking to Ramblin' Jack Elliott somewhere and Jonesy said to me, "Come over and I'll turn you on to grass." I thought about it and said, "Sure, I'll give it a whirl." We went over to his flat–he had a huge room, with nothing in it except this huge vast Hammond organ, right next door to the police department.

I had done cocaine before but never grass. I don't know why it should have happened in that order, probably because I knew a couple of merchant seamen who used to bring it back from the docks. I had been doing it with them. And they loathed grass. So I watched in wonder while Jonesy rolled these three fat joints. And we got stoned on all of them. I became incredibly high and it turned into an in-fucking-credible hunger. I ate two loaves of bread. Then the telephone rang. Jonesy said, "Go and answer that for me, will you?" So I went downstairs to answer the phone and kept on walking right out into the street. I never went back. I just got intensely fascinated with the cracks in the pavement.

2016 Robert Plant US Tour Dates

Robert Plant
Robert Plant and The Sensational Space Shifters have announced a tour of the American South this Spring.

"I'm always eager to return to the hospitality of the Southern states," Robert said in a statement. "Towns and cities that hold fond memories for me personally, places that gave birth to so much of the music I love."

He continues, "Our recent travels have taken this wild whirlwind of a band though many incredible and inspiring places. Having just begun work on our new album, we thought we'd take time out to raise a little sand and welcome springtime with one more adventure, another celebration of life and song."

The tour kicks on March 4th at the Okeechobee Music & Arts Festival, see the full dates below.

03/04-06 – Okeechobee, FL – Okeechobee Music & Arts Festival
03/06 – St. Augustine, FL – St. Augustine Amphitheatre
03/07 – Mobile, AL – Saenger Theatre
03/09 – Jackson, MS – Thalia Mara Hall
03/10 – Baton Rouge, LA – River Center Theatre
03/11 – Shreveport, LA – Shreveport Municipal Auditorium
03/13 – Cain's Ballroom – Tulsa, OK
03/15 – The Bomb Factory – Dallas, TX
03/17 – San Antonio, TX – Tobin Center for the Performing Arts
03/18 – Midland, TX – Wagner Noel Center Performing Arts Center
03/20 – Austin, TX – ACL Live at Moody Theater

Tickets for these dates can be found here - http://www.robertplant.com/#road/2010

John Stamos Remembers That Time A Whip-Wielding Jimmy Page Screamed At Him

The charismatic John Stamos has done much to promote Fuller House, although the show's own promo spots have done nothing but terrify those who dared to mine the depths of Kimmy Gibbler nostalgia. If anyone can still bring viewers, it's Stamos, who has cheerfully removed his pants (not once but twice), and now he's stepped up for the ultimate sacrifice — a Howard Stern interview.

Of course, I kid. Stern isn't as hard-hitting as he was back in the day. He's actually a big ol' softie now, but Stamos and Stern dug into some hefty subjects. Stamos revealed his deep spiral of alcohol abuse and how he returned to happiness. He speaks of never becoming a father, and that subject was a sad one too. Then things got rowdy (as always) when the Beach Boys came up, and the subject turned to the time Jimmy Page dared to scream at John Stamos:

With Led Zeppelin guitarist Jimmy Page joining the Beach Boys during John's early Washington Monument show, Jeff Foskett was in charge of teaching Jimmy what key each Beach Boys song was in. John was brought along to the rehearsals in a hotel room. "We're in this hotel and we go up to the penthouse suite and there's cases everywhere … and I thought it was guitars everywhere. He had like whips and devil sh*t," John remembered. The defining moment came when Jeff was off with a roadie and in his absence, Jimmy turned to John to ask about the keys to a few songs. As a result, John got the brunt of Jimmy's displeasure with the answers. "‘I can't f*cking solo in E flat!' [Jimmy] was yelling at me and I was twenty years old or something."


Jimmy Page Might Have Prevented Guitar Solo On Jethro Tull's Aqualung

Martin Barre has recalled the moment that speaking to Jimmy Page could have led to him losing a guitar solo on classic Jethro Tull track Aqualung. He risked bandleader Ian Anderson taking away the opportunity, and filling the space on tape with flute work instead.

The album of the same name was released 45 years ago in March. It was recorded at Island Studios in London, while Led Zeppelin were working on their fourth record next door.

Barre tells Guitar Player: "We'd locked ourselves away and I hadn't seen Jimmy at all. Finally he walked into the control room to say hello, just as I was recording the solo to Aqualung.

"In those days, if you didn't get a guitar solo in one or two takes, it might become a flute solo. It was, 'Go in there and do it or else.' And here was Jimmy, waving like mad - 'Hey, Martin!' - and I'm thinking, 'I can't wave back or I'm going to blow the solo!'" Read more here.

From: Antimusic


Happy Birthday, John Paul Jones!



Today (January 3) is John Paul Jones’ 70th birthday. He has been a professional musician for over 50 years, with 12 of those most famously in Led Zeppelin. If all that you listen to is his Zeppelin, you are sorely missing out on a musical maestro. Each song that he has performed on, every song that he has arranged for, every song that he has produced is pure genius. There is no way to narrow down a lifetime of virtuosity into a short, however, I present here my personal selection of tracks, in no particular order, that John Paul Jones has been a part of that shines brightly.

A Foggy Day In Vietnam



Most every young studio musician dreams of that one day when they can record their own music. 18 year old Jones recorded this nearly instrumental number in 1964 for Pye Records. Jones played some excellent honky tonk upright piano on this track. It is very reminiscent of songs later in his career, like Hot Dog and Darlene & his 1977 piano solos during No Quarter.

Scumbag Blues



This song starts out with a killer riff, heavy 4-string bass and layers guitar over that. Then it changes into a signature John Paul Jones walking bass run in the pre-chorus. The second half of the pre-chorus has some funky clavinet work. All that plus Jones contributing some backup vocals and mini improv bass solos when performed live.

Skótoseme



Jones has never been afraid to stray from traditional rock and roll. This has never been held more true than with the album The Sporting Life with avant-garde singer Diamanda Galás. To most ears, her vocals sound unintelligible, however, Skótoseme (Greek for “kill me”) has some tasty bass work on a Manson 8-string bass, wired in stereo and drums by Pete Thomas, Elvis Costello’s drummer, who later played on Jones’ first solo album in 1999, Zooma.

The Lemon Song



The Lemon Song features exemplary bass runs that many budding bass guitarists have often tried to imitate (including yours truly). Recorded virtually live in Mirror Studios in 1969, Jones is definitely pulling from his roots to pull this song off.

Dazed And Confused



The second that you hear the haunting, descending bass line, you can instantly tell that it’s John Paul Jones in Dazed And Confused from Led Zeppelin. In the first few albums, you can tell that Jones and Jimmy Page were experimenting with different studio tricks and the tone of the bass is a bit muted, lacking some natural echo that you hear in most other tracks. It adds to the overall psychedelic loneliness that creeps over you.

When this song was played live and it stretched to over 30 minutes in length, not once could you tell that Jones was straining to keep up with the guitar or drums. He was perfectly locked within the groove.

Stairway To Heaven



Some may look at Stairway To Heaven and think that it’s a Page track. How untrue? Jones was all over the place on this song. In addition to Fender Rhodes keyboard action that fills in against the beautiful Page guitar work and unreal bass guitar runs, there is no other song that better rocks out on a quartet of bass recorders, all played by Jones. You simply cannot get any more badass than that.

Tidal (Guitar Wars version)



Riding high from the underground success of two solo albums and supporting tours, Jones accepted the invitation to appear at Guitar Wars 2003 in Tokyo, Japan. The JPJ Orchestra was in full force with Nuno Bettencourt on guitar, Jones on 10-string Manson bass, Roger King on keyboards, Mike Szuter who came in later on the track on bass guitar & Paul Mastelotto on drums.

Jones was definitely feeling his oats, switching on some effects and taking on a freaking impressive outro bass guitar solo.

The Song Remains The Same (live version)



While Jimmy Page is busy weaving his guitar magic, John Paul Jones, with assistance from the drums, lays down a heavy foundation. Not satisfied with playing root notes to maintain the beat, Jones is all over the fretboard, finding a way to play some solo-sounding rhythm work.

No Quarter (live version)



John Paul Jones was so much more than a bass guitarist and this track exemplifies this. Originally, in 1970, No Quarter had a faster tempo and patched together several different contrasting parts. When it was time to record No Quarter in the studio in early 1972, it was slowed down and the whole song was dropped a semi-tone in pitch to add to the mysteriousness of the song.

This song was premiered on the second leg of the 1973 Summer US tour up until Led Zeppelin’s last date in 1980. It showcased John Paul Jones’ abilities on the keyboards, with lengthy piano solos added in the middle of the song.

Ice Fishing At Night



Some electronica starts this song off and then a simple piano passage begins. If you thought that John Paul Jones was only an instrumentalist, you were wrong. Jones adds in a very tender set of lyrics that has the aural mysticism of a classic oil painting. The piano continues into a solo passage that has a second piano part overdubbed. This is truly a non-traditional John Paul Jones-sounding masterpiece.

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This Month in
Led Zeppelin History

May 31, 1948 - John Henry Bonham was born at Redditch, Worchestershire
May xx, 1969 - The band’s debut album enters the US Top 10
May xx, 1969 - Recording sessions for Led Zeppelin II begin
May xx, 1970 - The band works on new material at Bron-Y-Aur
May 03, 1971 - Richard Cole jams on Whole Lotta Love playing congas
May xx, 1972 - Houses Of The Holy recording sessions on location at Stargroves and Olympic studios
May 27, 1972 - Warm-up gigs kick off in Holland for an upcoming American tour
May 04, 1973 - Led Zeppelin gross nearly $250,000 for their performance in Atlanta, GA
May 05, 1973 - 56,800 attend the second show of the 1973 US tour at Tampa. This sets a record for the largest attendance for a one-act performance, previously held by the Beatlesfor their Shea Stadium show in 1965
May 10, 1974 - Swan Song Records is officially launched
May 11, 1974 - Led Zeppelin attend an Elvis concert and are thrilled when Elvis announces that Led Zeppelin is in the building
May 10, 1975 - Showco ships their PA system and video screens for the Earls Court shows from Dallas to London
May 23, 1976 - Page and Plant join Bad Company onstage at the LA Forum
May 21, 1977 - The Houston Summit claims $500,000 in damages to their venue caused by rowdy fans
May xx, 1978 - The band reunite at Clearwater Castle to rehearse
May 22, 1979 - It is officially announce that Led Zeppelin will headline at the Knebworth Festival in August
May 15, 1980 - After many revisions the European tour dates are finalized and the band is scheduled to open in Germany
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